nyc-based duo jasmine golestaneh and eddie cooper write songs through a telepathic kinship thevve developed since they started making music together. we have these sort of unspoken criteria when we re writing music. we never really need to explain what that is but we both know when it s missing or when we ve hit it. the pair, aka tempers, are set to release their fundamental fantasy ep via the vinyl factory on 24th february. creating an emotional and tonal tension of sensual and mechanical impulses, their brand of dark electronica sets haunting song writing to a sinister disco beat, pop melodies floating in an almost industrial soundscape. it follows the bands 2015 debut full-length services. fundamental fantasy is about exploring the creative scenery of romantic illusions. our need for them, how we justify them to ourselves, that moment when the imagined story line collides with reality. the ways we fictionalize people to fit into the narratives we have about love - to reflect our own beliefs, virtues and flaws. it is about celebrating fantasies swelling and getting undone, so we can pick up the pieces and craft new ones that serve us better tempers musically, fundamental fantasy is an evolution in both song writing and process, while still tracing a clear line to their earlier output. many of the eps melodies were born of live improvisation, which helped them create an instinctive, natural immediacy within their electronic arrangements. the cover of the ep depicts the duo on the volcanic island of stromboli, where they performed at the volcano extravaganza, an art and music festival curated by the vinyl factory.it is a perfect landscape to mirror the mood of ‘fundamental fantasy. a seemingly idyllic place that is isolated from the outside world.

following their massive debut “girl”, danish duo cirkular are at it again with a follow-up release featuring more of that complex-but-danceable electronic music. the “huff / am plingest” release owes homage to the electronic music of the 90s, with hints of breakbeat, underworld style 4/4, dub-house and early autechre style idm.
the remix side features punkrocker-gone-techno antonio gram (of reptile youth fame), longside one of danish technos godfathers, broxgaard (formerly known as patrcik bateman of tictactoe records).

it is a real symphony of the organic and the electronic and as such cannot fail to make its mark. this is an artful package that demands close listening with suitably eye catching visuals supplied once again by artist daniel rajcsanyi. thanks for purchasing a real copy!

marvin horsch debuts on berlins film with an ep of exquisitely produced, cinematic electronica. the cologne based producer develops the colourful house found on previous work for the dorfjungs la-bel, with three playful compositions that draw as much on jazz and krautrock as more contemporary strains of alternative electronic music. opener omnisession 1 marries a beautifully shifting organ with live drum work before segueing into the glorious softness of sun after rain, a rich synth solo drenched in tape hiss. closer negobebo 2 wraps up the ep an energetic, looping recording replete with staccato drum-machine strikes and warm, wet verbs carrying a spirited lead across its six minute duration. an honest record, open and expertly executed fukushisha is an admirable addition to the film cata-logue.

a sagittariun continues to release primarily on his own elastic dreams label, and the magick box ep features four tracks that come nearly 12 months on from the uncompromising techno of the contortion/concrete walls single and the second full length album odyssey, elasticity. taking in pacey techno cuts curviture and kobalt, cruising electro vibes on floating on salt water’ and wigged out industrial funk on bleepanomix, once again the archer delivers a varied collection of new tracks on the ep. vital sales points: previous singles on secretsundaze, hypercolour and elastic dreams were very well received - a sagittariuns second album, elasticity, was released in april 2016 to glowing reviews and polled in the mojo magazine top 5 electronic albums of the year

nice price deal !!! after just over a year after the birth of riot recordings, frankyeffe decides to produce the first vinyl catalog skills with the manic brothers and markus bohm. riot recordings supported by many artists in this first year of life and then to affirm this success we decided to start printing our music on analog format. the italian frankyeffe known producer of the techno panorama in the world is supported by the great electronic music like adam beyer, chris liebing, sven wath, carl cox, len faki was released on labels such as soma, truesoul, analytic trail, flash, and many other and his productions as well as being played live are also offered in the best radio show. manic brothers duo swedish techno have a great success with the various releases on drumcode, soma, octopus, bond and other great productions. they have a great support form all the big dj’s in the world. markus bohm, italian producer, already known for some collaborations with frankyeffe on afulab, trapez and riot recordings. techno machine. skills ep includes 4 tracks, strong, powerful , shocking, suitable for the great festivals and for the underground club. in these four tracks you can see the freedom of production that the artist gave to this vinyl.

based in grand rapids, michigan, calder city development corp. was developed to build and reshape the landscape, structure and concepts of urban electronic music by using a philosophy of deep experimentation and raw vision.

invisible city editions is proud to officially re-release the sublime extended 12inch version of praise jah with soaring vocals and wild electronics. big tip!. oluko imo was a trinidadian born multi-instrumentalist, founder of the legendary spiritual afro jazz groups mansa musa and the black truth rhythm band. he moved to new york city in the 80s and divided his time between teaching music there and touring africa with fela kuti as both his manager and part of the band. praise jah is imo’s crowning achievement. an elevated electronic mantra that perfectly fuses synthy soca disco with his spiritual afro-trinidadian leanings. its a timeless piece of music that sounds as visionary today as it did when it emerged from the aether back in 1979. limited pressing with embossed sleeve, designed by zeitype.

peacefrog präsentiert einen neuen namen in der britischen electronica-szene: mined aka kofi holmes attivor, londoner sohn einer ghanaischen familie, wuchs mit den soul/r&b platten seiner eltern auf und ließ sich von brian eno, spooky black und den foals inspirieren. mined produziert einen vokalen, eskapistischen electronic-pop voller ländlicher schönheit, der irgendwo zwischen den kosmen von james blake, caribou und boards of canada seine bahnen zieht.

dzar, a new experimental techno project from marseille, aiming to explore advanced interactions and capabilities between modern analog hardware and digital tools. after a decay releasing house music under the alias of damien zala, dzar is dedicated to a more minimalist approach of electronic music. inspired by graphic design, architecture, and numeric arts.

halocyan outlines computer musics many future possibilities, while remaining actively mindful of its one and only history. having released material from such luminaries as dosem, paul woodford, oliver ho, extrawelt, and joey beltram - halocyan continues to assert its influence with their next record: a 2-part ep from apollo and r&s affiliate dave angel. founder of rotation records and originally hailing from chelsea, angel is a techno emissary whose intelligent, funk-licked productions have propelled him through a long and illustrious career through which he has consistently branded his own stamp on electronic music whilst also remaining highly relevant to modern listeners. it’s this that lends him perfectly to a record with halocyan who do what they do best in presenting his incoming ep: a sincerely-rooted collection that comes backed up by label favourite hackman on remix duties. portrait kicks things off with jubilant melodies rippling atop sharp, whetted percussion before minor-key sweeps bleed in and bring with them a degree of pensive tension. a buoyant bass line propels the track from dave angel incoming ep beneath before hackman offers up a deftly swung revision rich with his sturdy subs and idiosyncratic percussive flutters.

headquartered in germany, these eyes has a clear mission statement: underground electronic music accompanied by unique design and an uncompromising ethos. the first release comes from founder andré hommen. having ran new york s objektivity for many years, hommen has decided that now is the time to craft something new. title track ‚these eyes has been played by andré over the past 12 months and has received a huge track-id response all over the web. a future classic. b-side ‚substitute is made up of deeper shades and pairs up nicely with the title track. the ep will drop on february 24 and will be available digitally and as limited 12 vinyl.

since 2012, de&#769,licieuse records revealed a few talents on the electronic music scene. among the artists discovered by the label: parra for cuva, jesper ryom, viken arman, trashlagoon and jacob groening. representing a certain era in the evolution of the label, this first page in the history of de&#769,licieuse records is today commemorated with the compilation liquors#1 which brings together one exclusive title for each artist, who all have traveled through a beautiful path since their start on de&#769,licieuse.

the last couple of years have been huge for pomo, going from a relatively obscure canadian producer to releasing his debut ep on hw&w, remixing for the likes of janet jackson and mark ronson, producing am i wrong? on anderson paak s debt album and touring the globe with disclosure as their opening act. bastard jazz has commissioned pomo to be next in line for the fourth volume of their tempo dreams compilation series, following on the heels of the hotly contested soul clap compiled vol. 3. as with other tempo dreams records, pomo has curated a slick and well polished album full of exclusive tracks from friends and collaborators such as lindsay lowend, aloka, exmag, syre, daniel crawford, fvlcrvm and more. touching on the shimmering nudisco sound, plodding deep electronic vibes, funky instrumental hip-hop, and even a hint of drum n bass, tempo dreams vol. 4 takes it s rightful place in the series as one of the most forward thinking compilations showcasing emerging young talent.

overmono return to xl recordings with their second ep in march 2017. arla ii is the follow up to last year s debut arla ep and further crystallizes the duo s immense & innovative sound. this latest 6-tracker from ed & tom russell (known respectively for their solo tessela and truss projects) carries things forward from its predecessor in underscoring overmono as a fully formed & ongoing project. . nstead of searching for commonalities between their earlier individual work, overmono combines the russells artistic talents in order to reach the spaces between ambient, techno & uk hardcore dynamics that few current acts are capable of reaching. born of the brothers collective creative impulse and staking out its own defined place in the contemporary landscape of electronic music, overmono are firmly amongst those pushing the form into new and exciting places. all of this is now also being explored in a live setting. having made their debut at krakow s experimental electronic music festival, unsound in october 2016, overmono will be performing a number of live and dj dates throughout 2017.

this rare piece of ex-yu socialist electronica was considered lost. composed by famed croatian artist tomislav simovic for the 1981 sci-fi extravaganza visitors from the galaxy which included men with breasts, beautiful alien heroine and jan svankmajer monster on killing spree, it is now found and published by fox & his friends label team. this gatefold limited lp release on 180g vinyl includes soundtrack cut from the original master tapes restored by paul alexander from cedar audio ltd., extensive liner notes in english by zeljko luketic and irena paulus, new artwork insert spread with film set photographs and colour poster starring alien heroine andra. fox & his friends is run by leri ahel (worldwide syndicated mutant disco radio show) and zeljko luketic (electronic jugoton, ex yu electronica iii, borderline music). we release music without genre boundaries, discover rare, obscure and forgotten stuff, the sounds that have timeless value, both contemporary and vintage

next up for the brand new dkmntl ufo series is rohan walder aka randomer, who has been causing a stir with his uncompromising, bass heavy cuts on labels like clone, l.i.e.s., hemlock and numbers. the londoner graces our new platform with his signature sound that blurs the lines between big boned techno, sizzling side-step house and afro-inspired drum programing. delivering a four-tracker thats a highly energetic and confident outburst of a unique electronic music soul, randomer properly handles the abstract sound esthetics of dkmntl ufo

schaltkreis wassermann is one of the pioneering electronic groups of the early eighties. their album psychotron of 1982 has become a much sought after cult object. now in flagranti have remixed released and unreleased material by schaltkreis wassermann from the early 80ies.

lobster finally enters the realm of the 7- record with a bumper 3x7- pack headed up by mysterious danish producer hllw.
twisted techno, effervescent electro, speedy electronica , machine music and rhythmic snippet ambient all collide over three discs of warp and aphex-inspired sonic wonders.
real hardware electronic mastery, rolling landscapes and lost nostalgic memories.

hell’s first single in well over a year, ‘i want u’ throbs and thrusts with in-the-moment physical tension. unhurried and extensive in its 11+ minute arrangement, it’s every bit as deep and as long as you’d want such a session to be with its rush-riddled breakdown that dips deep under the skin with lavish emotional chord changes and peaked atmospherics. a celebration of gay culture, an homage to purist analog-driven proto techno, a statement for what’s shaping up to be yet another exceptional album from the hugely influential international deejay gigolos founder, ‘i want u’ comes complete with two startling remixes: the legend that is the hacker accentuates the grit and crunchy ebm charm of the original with an all-out exercise in sonic horsepower while hell’s selector kindred spirit and all-round robot-rustling icon martin matiske provides a whirlwind trip back to another foundation era for electronic music with b-boy-busting electro boogie spectacular. trust us, you’re going to want all three. and thankfully you’ll get all three right here. let us know what you think!

in the last two years, paul régimbeau had put his most personal and earliest musical project mondkopf in stand-by mode. the rich arrangement work that defined his sound wasn’t fitting his desire of simplistic intensity anymore. his different collaborations (autrenoir, violent magic orchestra with vampilla & pete swanson, foudre!, oiseaux-tempêtes) forced him to explore new aspects of playing electronic music like a regular band member. the young producer was experimenting being a musician and embracing the experience. but after a year without composing, things changed on the tragic night of november 13th.
on this very night, the parisian set up machines he had acquired in the last few months and started improvising what became the first song on his new album: “they fall, but you don’t”. since that moment, paul regularly spent nights experimenting and recording what he felt at the time. while previous records reflected months of fine-tuning, these songs represent the mood of one evening, one night, the ones when you surrender yourself to the melancholy of the moment. much like a diary, the album is a compilation of these moments that escape reality in a chaotic and dark year.

born from the rank stench of the city streets, dj swagger hits on hard with joy riding electronic jams forged from bullet casings, hub caps and cigarette ash. kicking off on natural sciences for the first time, greatest hits is the ironic sneer from the diy underground. it s the sound of chains, tar and black exhausts from deep within the suburban rave. gun shots against busted speaker cabinets. padded anti-hero b-boy breaks. muffled street anthems from the back-seat of a midnight cruiser and slammed out acid party music for the youthfully insane.

ltd 2017 repress
following on from his return to dance orientated music on neroli records with the lush and endearing music for the golden age , multi album artist lars bartkuhn (sonar collective & needs) brings contrasting sides of his musical character for alex bradley s burgeoning utopia records, touching on detroit, jazz fusion and ambient. tokyo burning is a youthful and stripped back electronic club track harking back to the detroit house heyday of galaxy to galaxy and happy records but with a modernist approach and bartkuhn s unique musicality for what has all the hallmarks of a peak-time club classic. in contrast title track nomad brings the full spectrum of bartkuhn s musical range with a more organic and rhythmic dance composition. a fusion of afro percussion, his own emotive vocal hook, melodic keys, joyful flute playing, bound together with the guitar playing that has had many compare bartkuhn to the likes of jazz master pat metheny. the track builds into a breakdown that is perhaps best described by anthony nicholson as, a combination of truth, inspiration and cosmic energy . rounding out the ep a gentle acoustic reprise, a deeper introspective piece for ambient music lovers.

repress 2017 , following a killer split 12inch w/ djrum for the zenker brothers ilian tape label, new artist struction debuts for r&s newcomer struction joins the r&s family for a titanic ep of dystopian post-rave experimentation - the 4 track release, entitled gefüge, effortlessly crystallises the best parts of r&ss storied musical heritage without coming off like pastiche. from the jacked menace of opener kreen, a dizzying percussive assault of breakbeats and 808 kicks, its clear that struction means business. warrior follows on with deep end breakbeats cut through with melancholic synth washes. the flip side commences with ai, all skittering percussion, swelling distorted pads and relentless kick drum thrum, while dolly rounds out the release in fine style, quickening the pulse with its hypnotic fm bass polyrhythms, scything cymbals and icy strings. with this release struction marks himself as one to watch very closely for the future, as well as once again showing r&ss commitment to nurturing new talent, as well as releasing the best cutting edge electronic music.

bringing his hallmarked temperament to the 4/4 format with beguiling results, weekend circuit welcome par grindvik for his first full length ep on the label. sole survivor performs an intense viewpoint of institutional rhythm. pencil sharp, and strikingly imperfect tones delude the mind and mistreat the senses. a virtuoso of par’s distinctive sound, is eager and apparent as ever in wcr016. breath is rich in melancholic atmosphere, drones and feedback loops a short yet multifaceted & hypnotic introduction leaving you no time to prepare for the incoming fervour of whats to come. detached is a perpetual motion of phenonmenal high energy - percussion avidly spliced together through a digital attention span. a strong, rumbling tower of unsettle that keeps coming back ever more bold and engaging. like a haunted soundtrack to a space odyssey, comes the simmering sound of hail fellow well met. conveying an otherworldliness, this 3 minute stance on electronic music moves with warped energy and glitch. wry fluidity grabs you by the feels and sustains an ominous tension over on the b side. sever is a maelstrom of consistent percussion, keeping a nervy uncertainty throughout, while left alone wields an ever evolving siren of searching sound & noise. grindvik at his best, this cathartic and rich variation of sound fulfills weekend circuit’s 16th release.

we are happy to have pan/tone for our fourth pfand release. sheldon thompson, aka sid le rock, serves up three melodic pieces which catapult you into a deep dreamy trip, complete with floating hypnotic grooves and melodies. rhodes avenue comes with tropical bells, 70 s-style rhodes piano with 80 s-synth flavour. animal parade convinces with cinematic soundscapes and a memorable hymn which brings us to another level. inyourendo surprises with electronic soundscapes which fit excellently for intros, interludes or ending of a set. and finally, the pfand team, hali and yapacc as -the cabin- adds a rework of animal parade with a percussive techno groove supported by a groovy bassline with deep drones that move directly into your brain

perth, capital of western australia, sits where the swan river meets the southwest coast. sandy beaches line its suburbs giving purpose to hot summer days, but after sundown, the city is where its at if you know where to look. its possible that this double-life is what inspired the deep, melodic, futuristic sounds of one of australia s most mysterious electronic dance music labels of the 90s - red ember records.

electronic // ambient // house // techno

the young roman artist emiliano morini, hidden in the shadows, reaches his individual project second goal. after debuting with his first ep in the electronic music scene, which also included a collaboration with ed frimann (an already known character of the roman scene) emiliano shows increased maturity through this refined and elegant work. a not necessarily dancefloor oriented straight cash, combined by extremely pleasent sounds, makes his last ep also usable for a home listening session. the ep consists in 4 tracks, each one clearly mirror of a sensitive and deep soul: -deep fusion- is a high tension piece with a submerged but impetuous roaring bassline. -ocean- that could be almost called a jazz track, full of human presence because of a seem live played ride and a lead that sounds like the result of improvisation. on the b side, we find instead a slightly more -club- dimension, without anyhow the loss of musicality. -techno mod- is a tribute to the best acid techno surrounded by an amniotic sea of pads. -vinyl track 2a- portically closes the work with loads of hypnosis and melancholy sounds enclosed in the same box.

bootleg remix of a live version of * come back around* jamie lidell performed on kexp radio show in la finally gets an official, remix with a bit of techno on the b side. accidental jnr is the new imprint from herberts accidental records to focus on electronic / club / dance output which has thus far seen releases from the u.k’s bambooman and berlin’s dave aju.

2017 marks 10 years of lmd and we are very excited to welcome one of chicago s finest and one of electronic music s most singular visionary artists to the family: jamal moss aka hieroglyphic being! having recently dropped a exceptional album for ninja tune and a stunning 12- for rush hour, jamal now teams up with -the truth theory trio- to deliver the -materialized psychism of the bottomless void- ep. -long night of iboga- opens the ep and sees jamal & the trio create a dj focused cut with unpredictable drum patterns, abstract melodies and psychedelic horns. a killer weapon for any seasoned selector. - mystery of the changelings - is a mesmerizing 11 minute odyssey through magical harps, melancholic synths, and a piano riff that will stay with you long after listening. truly music for the mind, body & soul. praise be to the sun god!

next up on deep distance (following the sold-out-in-a-day sula bassana lp) is a fabulous newly expanded first time on vinyl double lp set of colin potter’s seminal 1980 cassette only release “the ghost office”.
the label is gradually working through colin’s revered back catalogue of cassette only releases, with previous titles the scythe and two nights selling out instantly. his run of half of a dozen home recorded, diy / minimal synth cassettes between 1980 and 1982 is rightly granted legendary status, influencing a slew of home produced diy experimental electronic artists and all attaining high collectors prices online for original copies. so these lp sets filled out with all manner of unreleased cuts, demos and excluded tracks truly are a treat.

josé james is reborn as a powerful voice in contemporary r&b on “love in a time of madness”. even for an artist as creatively restless as james, “love in a time of madness” is something new: an r&b focused foray into moody soul, electronic pop, and trap-addled beats, with the occasional influence of african folk, american gospel and minneapolitan funk. and though james’ voice is no less agile and his ear no less adventurous, this is also his most relatable, daresay sexiest work yet, detailing love’s ups and downs without holding back an ounce of emotion.

since the beginning of co&#769,,,,meme, until today we feel a connection to the electronic beats from south africa. co&#769,,,,meme tracks like -pata pata-, -osea... hello?-, -el sucu tucu- and many more prove this, and one main inspiration, is dj spoko, partner of dj mujava, for whom he wrote and produced the legendary -township funk-. but also in joburg, and without our knowledge, co&#769,,,,meme tunes were dropped at some of the coolest parties in town, so matias aguayo aka the don jumped of joy when he was invited to play there, where he met spoko and started to jam with him in a studio in the center of joburg! jamming and smoking till the break of dawn, they put together these tracks, that carry the spirit of this label, the vibe of joburg nights, the “bacardi” rhythms from the atteridgeville township outside pretoria, comemian latin- tech grooves, the dancesteps on the carpet of kitchener s bar in braamfontein and the hotness of a co&#769,,,,meme night in medelli&#769,,,,n, cologne or buenos aires.

roman flügel and andrew weatherall supply two outstanding remixes of phil kieran recent album ‘blinded by the sun’, which david holmes claimed is “one of the best electronic dance inspired records in recent times.” mixmag described phil kieran as “one of those producers that impresses with every release” so it comes as no surprise that two music heavyweights have jumped on board for remix duty. kieran accounts flügel and weatherall to both having a heavy influence on his career. german dj and producer roman flügel is easily one of the most revered names in the dance music spectrum. his take on ‘no life’ is a masterclass in production. flügel has created a track that is powerful whilst also superbly intricate. flügel holds over twenty years of experience, extensively releasing on a number of labels whilst also co-founding ongaku, klang and playhouse recordings. uk born dj and producer maestro andrew weatherall remixes ‘finds love’ and reminds the listener of how beautiful electronic music can be. combining cosmic layers with the ethereal vocal, this is a lesson in what a remix means. weatherall has been experimenting with techno since the 90s, and well regarded as one of the world’s most influential djs. kieran created a ten track narrative in ‘blinded by the sun’, inspired by his experiences in the industry. it was met with high acclaim globally and this remix package further imprints his vision on pioneering imprint hot creations.

two years on from his critically acclaimed self-titled debut lp and 2016’s similarly transcendent club hit safe/multiply, ghost culture is pleased to announce his new ep nucleus. due for release on phantasy, nucleus, captures the enigmatic london artist’s signature sound in the reflection of unexpected, vibrant new lights. leading with the understated groove of ‘coma’, ghost culture quickly reaffirms his unwavering ability to hold the collective energy of a dancefloor, yet colours his latest work with a sense of intimacy and experimentation that resonates stronger than ever. ‘ico130’ explores almost every facet of ghost culture’s electronic form, as gasping synths and stuttering drum patterns flirt with an aching, unfurling emotional vocal sample, acknowledging both classic idm influences such as aphex twin and authechre, while subtly nodding towards contemporary, crystalline rnb. the ep’s centrepiece, ‘ngc1275’ adds flavour to a stirring, reflective acid line, amid a complex flurry of minor deconstructions and distortions, highlighting ghost culture’s unique, contrarian ability to inspire both beckoning darkness and escapist fantasy through his work. while the opening half of the five track ep is more primed for the night, nucleus’ leads to an introspective denouement. ‘perseus’ pits raw electronics against a framework of loose, lucid drums, before ‘ngc1265’ delivers a wistful, brooding conclusion that makes an emotive case that impacts powerfully across just a short sketch.

klyne first caught everybodys attention with their critically acclaimed debut paralyzed ep for aesop, as well as their maiden remix, a rework of disclosures omen feat. sam smith. water flow is their follow up to the acclaimed dont stop, their because music debut released earlier this year, its stunning video was directed by acclaimed choreographer and film maker holly blakey (florence and the machine, jungle, coldplay, young fathers) and is nominated for a uk music video award. the duo supported years & years and label mate christine and the queens on tour this year, and performed their first uk headline show for the sold out dummy presents because music event at the ace hotel, london in the summer. more shows will be announced shortly. vital sales points: mellow electronic pop thats like a long-lost cousin of jai paul- the fader infectious and effortless groove-laden soulful masterstrokes - vice / noisey minimalist vibes, captivating vocals impeccable melodies - pigeons & planes gorgeous electro-pop - spin more fire from the young dutch duo… the boys are off to a strong start - i-d

new years deal - last copies left - only 1 per customer - limited 5 track - 12 inch edition
features remixes from unkle, ewan pearson, tom furse, roman flügel (part of alter ego), lindstrom and prins thomas...
presented by telekom electronic beats

henrik schwarz first work for running back and concurrent solo piece since 2013 is a prime example of the mans uncanny production abilities. recent years saw schwarz more and more gravitating towards the intersections between electronic music and jazz, classical compositions or african sounds than serving the weekly bread and butter at clublands busy buffet car. now, not also you is a return to exactly that honourable craft and service. built around an imagined and imaginary curtain lecture from a saint to a sinner and housed in one of henriks most techno looking robes as of yet, its a no-brainer or shall we dare say a reaper of a track without frills but with a fata morgana like rave signal. oh, there is a dub for snobs (not you also), too. peak time, high time, any time. nice sleeve on top.

emerald city is the first release of verdant recordings, a new label to present carefully curated deep music across the electronic spectrum. on this ep are 3 highly respected producers from the uk leigh dickson, john shima and plant43 (emile facey) and a 4th debut track from a disciple of the halcyon days of emotive music mihail petrovski. musically this ep is all about deep techno, the exquisite sounds and characteristic style of each producer is unmistakeable. emerald city was first released as limited edition of lathe cuts but interest in the project completely overwhelmed its availability. this 2nd pressed edition should keep the deep-heads satisfied and will also include the beautiful artwork from sophie o leary presented in the 1st edition.

nice price deal !!! finally the time has come for this special edition from >the room<, a 12inch masterpiece created by >el cartel<. probably you may want to know, who >el cartel< are? well, no more and no less than the 5 best producers from colombia: jose m & tacoman, figueroa & obando, and matheo velez. during the last 2 years this guys have been developing and amazing identity and this was the perfect occasion to joining forces and drop this marvelous ep that sets colombia house and techno essence as a one you wouldnt want to miss from now on. at the same time >the room< established itself as a solid platform for this upcoming wave of fresh sounds and artists that blends the native rhythms of south america with the electronic music vanguard. medellin is known as the >electronic< capital from colombia, and has become a reference for all the international artists who visited the country. this ep reveals the essence of how they party over there, diving from funky techouse to darky tech, passing through classic house sounds always keeping the high vibe >el cartel< guarantee you a full >body moving<. the 3 tracks has been designed for the dance floor and as you go through them you will find it gets better a better.

“dramatest” is a collection of experimental library music published in 1974 by fonovideo and signed by oscar rocchi (and his moniker chiarosi) - an excellent pianist and composer, who worked with many italian jazz heavyweights - and fabio fabor. “dramatest” consists of 14 slightly eccentric explorations of the electronic spectrum, casting pure experimentalism, melody and no fillers whatsoever. one of the best examples of the lost art of italian libraries!
this vinyl release includes the album on cd.

after few releases featuring sübaka with remixes by steve bicknel (uk) and sean deason (usa), module records maked a ten years break. so we are very proud to introduce klash point guys who produced this persistence ep for this labels comeback.they are two french producers who combine fiery energy and the wisdom of experience. like a family affair! all in all, name check these lads out for more future aural excursions. on this 12inch, this is minimal electronic techno at its best, deep and dubby with a solid straight groove. then, we are sure that new ep will not disappointed you, without a doubt!

it s no secret that idle hands is a label built on a foundation of dub. from the earliest releases by pev, kowton and szare through to more recent output from o$vmv$m and christian jay, the influence of bristol s soundsystem heritage looms large in the myriad electronic music threads the label encompasses. sometimes this influence is explicit, other times implied, but the principles of sub heavy, spacious music for both body and mind guide the stylistic arc of the label as a direct result of the label s long time immersion in roots and dub culture.

dj, musician, former saxophonist - theres a combination of skills you dont get to see too often. get acquainted with demian, then, aka damien pontonnier, a french artist who relocated to paris after an influential career as electronic music pioneer and party organizer in northern spain. now an accomplished producer with releases on labels such as correspondant or clouded vision, he presents the milestars ep for kompakt - a quirky and vibrant track trio with an obvious knack for catchy melodic details in a kinetic techno corsage.

d-formation returns to the label with another huge release plenty of fat and epic stuff. after the big success of balkia ep, his debut on suara, the spanish legend delivers two timeless and trippy tracks for the pleasure of melodic music fans. for the remix duties we are glad to have on board two of the coolest names from the current electronic music scene. tuff city kids, the combo formed by gerd janson and lauer, deliver a remix from io that becomes an instant classic and proves that trance is the new black. my favourite robot remixes in motion (released in kitties wanna dance 7) putting the track into another different way. a very special release, don t miss it!

latvian producer w3c, taking his moniker from the acronym for the world wide web consortium, affords oversight to the totality of the internet comparable to his namesake standards organization. and where the latter concerns itself with education, outreach and software development, the former is a pastiche and collage savant using online connectivity and access to wrangle all strains of electronic music and collide their respective particles into an unrecognizable, yet eerily inviting sonic edifices. debuting in style, earlier this year, with the vinyl-only atmospheric entry ep, via pinch s tectonic-side-venture cold recordings, w3c now joins the infinite machine family with state of absolute alienation

forging an idiosyncratic musical language, told through exotic rhythms and adventurous wordless vocal explorations, deal is fays boldest work yet, moving further away from the pop signifiers of previous exploits. with an articulate minimalism, deal flexes and shapes these elements to their maximum potential through vast spacial movements that evolve down unexpected paths. compositional directions diverge through variations on a theme. the album s complex choral arrangements and daring structural ideas demonstrate a deft understanding of music foundation while departing into abstract possibilities outside of these standards. a conversational interplay between drum and voice is at the center, highlighting the human element. a loose, primal urgency guides these compelling and playful electronic compositions that favor intuitive sense perceptions over self-expression. the voice acts as a beacon throughout the record, leading the rhythms and arrangements towards their next move. deal is music for movement, an active listening experience that feels narrative or visual, building tension and anticipation of where the piece will lead, and what will happen next. the album uses sparseness to it s strength, with each note and drum hit sounding more potent and unexpected. here you ll find soul, exhilaration, guts, humor, freedom, play, humans animalistic nature. with a willingness to embrace the potential for new music, deal is a brave and different record that will reward listeners.

alien jams presents planet bangs, the 4th album from nochexxx, following on from 2015s dirt-driven apocalyptic electro jaunt plot defender (type recordings). this six track lp plants another stick in the mud, showcasing the producers love for oddball tape-saturated electronic delirium. planet bangs is clearly an ecosystem in distress..., metawitch s clanging rocks paves the way for creepy unsettling yelps and 303 squelch - an acid drenched broomstick joyride over mounds of rolling subs and hilly sines-waves - on stickshift, straight-jacketed conga loops barely spit enough voltage to hold pace, like a sputtering raymond scott machine in respiratory collapse. wafting familiar smoke signals originally lit by 90s era warp and detroit techno, overhound springs out the trap with a booty bounce towards the finish line. artwork by zeke clough. 180g vinyl, mastered by rupert clervaux.